The Sound of Horror (aka El Sonido de la Muerte)
1966
José Antonio Nieves Conde
Dr. Asilov (James Philbrook) and his friend Andre (Antonio Casas) are treasure hunting in a cave in Spain. Their partner Dorman (José Bódalo) along with his driver Pete (Arturo Fernández) and Pete’s girlfriend Sofia (Ingrid Pitt) arrive. Soon after the trio blows open part of the cave, they find not only some strange egg-like rocks but a mummified Neanderthal… oh, and there is a lot of screeching and blood as they become the targets of an invisible dinosaur that also there.
The Sound of Horror engages in the most cost-saving kind of monster, the invisible kind. In this case, it is a dinosaur that has some ability to blend into its surroundings, but functionally it’s completely invisible. The movie does not spend a lot of time on gimmicks like objects floating through the air or seeing something slowly become transparent. The dinosaur is invisible for 99% of the movie and that’s just how it’s going to be. Sure there is a short reveal at the very end, but it is so underwhelming that I would caution you from putting any expectations on it.
Los pies del sonido de la muerte. |
The Sound of Horror starts as a mystery and slowly becomes a siege movie as the characters find themselves trapped in their house against a foe they can’t see. I found the solution to combating the dinosaur pretty clever, and their (almost) final showdown with it is a cool little moment in a film that didn’t try to do too much with its own invisible creation.
When shaving your chest goes horribly wrong. |
The Sound of Horror sounds like a silly premise and with only a few missteps it could have turned into a blunder. It wisely plays to the inherent strengths of its own premise and offers some gruesome sights to go with the pressure cooker situation. It is a weird film, but it is a weird film that works very well.
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