The Day Mars Invaded Earth
1963
Maury Dexter
Maury Dexter
A probe from Earth trundles around on the surface of Mars
and then abruptly vanishes. Unsure of what to do, one of the scientists on the
project, Dr. David Fielding (Kent Taylor) decides to spend time with his family
whom he hasn’t seen for weeks. He finds his wife, Claire (Marie Windsor), has
taken the kids to her empty family estate. David and Claire both see each other in parts
of the house that they shouldn’t be in at the time. Soon it is revealed: Martians
are duplicating the Fielding family to silence anyone who wants to send more
probes to their planet.
The Day Mars Invaded
Earth successfully replicates some of the tension of Invasion of the Body Snatchers (1956). Keeping the cast small and
isolated prevents the conspiracy of doppelgangers from feeling
huge, but it does create a pressure cooker situation. Invasion of the
Body Snatchers keeps the story moving along by offering the faintest hope that
the pod people can be defeated. The Day Mars Invaded Earth offers no such hope,
The Fielding family is hopelessly outmatched from the get go. This flavors the
story with a sense of doom that feels as oppressive as the silent and empty
mansion in which it takes place.
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The mansion is another character in the story. It’s a vast
sprawling place that threatens to swallow the family whole. The fact that it is
empty and quiet makes it feel haunted, and I suppose with Martian duplicates
sneaking around, it is. The Fielding
family actually has a bit more texture than I expect from an early 60s SF film. The Fielding’s son, Rocky, is straight out of the 1950’s gee-whiz kid
playbook, but his parents are another matter. It’s rare to see a couple
straining under career demands in the relatively simple relationship
dynamics of most SF films from this period. To have Claire separate herself
from David and then have them both struggle with his constant absence is a
surprise. It also serves the story by creating an air of distrust that grows as
they began to suspect something strange is happening in the house.
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The Day Mars Invaded
Earth isn’t a dynamic looking film, but it doesn’t need to be. It’s shot
very simply, using the large interior and exteriors of the house to confine or
give a sense of scale as needed. The few shots that require a double exposure,
so that the same actor can be both human and Martian duplicate are managed very
well. There is an impressive long dolly shot with actor, Kent Taylor handling
both sides of a conversation.
1963 is the year that a seismic shift in America politics
and consciousness helped bring an end to a cycle of SF films that began in the
early 1950s. Unfortunately The Day
Mars Invaded Earth was lost in this shuffle. It’s creepy and competent little film, with a
lot of interesting things going on, including a downer ending that strikes
unexpectedly. It’s definitely worth a look.
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