1956
Edward Nassour, Ismael RodrĂguez
Edward Nassour, Ismael RodrĂguez
I find it strange that cowboys and dinosaurs don’t get paired up in moives more often. Cowboys are often isolated in
unknown country and with enough survival skills to make them believable enough opponents
for giant hungry animals. Dinosaurs are well… dinosaurs, and therefor always pretty
cool. For whatever reason, Western genre mash-ups are difficult to get right,
for every successful film like Valley of
the Gwangi (1969) there is a Cowboys
and Aliens (2010) that doesn’t function well as either genre.
Jimmy Ryan (Guy Madison) is a cattle rancher living in
Mexico. When he’s not out on the range, he’s making eyes at Sarita (Patricia
Medina), fiancĂ© of his rival Philipe (Carlos Rivas). Jimmy’s cattle start disappearing. He
suspects sabotage when the corpses of the missing cows turn up near a swamp that
reportedly has a curse. That curse is in fact a large carnivorous dinosaur.
Ryan is forced to fight off not only Philipe’s assassination attempts,
but he must find a way to kill the monster before it eats him and everyone in
town.
The biggest single flaw of Beast of Hollow
Mountain is slogging through nearly an hour of cowboy drama before getting to
the dinosaur rampage. It’s very difficult to get invested in cattle ranching
and love triangles when you know there is a nifty meat eating dinosaur just
waiting to be sprung on the populace. It would have helped greatly if there had
been more build up to the monster, perhaps occasional attacks, or people sighting something
strange in the distance. Equally effective might have been to give no hints whatsoever, a cowboy soap opera interrupted
by a thunder lizard. Whatever path the film could have took, making the viewer wait so long was a mistake.
Beast of Hollow Mountain was the first film to feature stop
motion effects in color and in wide screen format. The bold color and use of widescreen composition is
quite beautiful and often offsets the dullness of first two-thirds of the film. The beast is a mixture of
animation and some partial costuming as you see rubber monster legs stomp
around the country side on occasion. The animation is very crude, but it’s
still a great deal of fun, and the beast itself is brimming with personality. I
was also surprised at how fast it’s portrayed. I’m so used to film dinosaurs
being lumbering slowpokes, it was refreshing to see one that’s speedy and much
more of a threat as a result.
Beast of Hollow Mountain can be a difficult film to grind through, but I think the rewards are more than evident once you get to the third act. Scream Factory has put it out on a double disc with The
Neanderthal Man (1953), and the Blu-ray really brings out the color and unfortunately
some of the flaws of the animation. Ultimately, I think it’s worth viewing at least once. It is a curious mix of genres, and an even more curious mix of crude
and technically adept film making.
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