Michael A. DeGaetano
1974
1974
As a young boy, Alan Grimes (Nick Plakias) is visited by a
strange harsh light. Several years later, Alan works at a University, picks up his phone and somehow accidentally overhears a conversation between two
government investigators. Alan contacts a skeptic professor, Dr. Mansfield (LaVerne
Light), and a psychic, Vivian (Cynthia Cline), who claims she feels “dimensional
energy.” Together they hit the road in an attempt to locate and document a series
of UFO sightings that culminate in finding what may or may not be a downed
craft deep at the bottom of a lake. The things living in the lake have been
waiting a long time and they have plans for the unsuspecting Alan.
To start with UFO: Target Earth's strengths: The opening
credit title is really nice looking and the groovy folk ballad over grainy
photos of flying saucers sets a wonderfully haunted tone for the start of the movie. There are a number of evocative and lonely
outdoor locations that look good even in the muddy public domain transfer,
which seems to be the only existing version of this film. There is an eeriness buried
underneath everything, and occasionally it comes to the surface.
There are no elaborate visual effects in the entire movie;
the closest it comes is some colorful distortion on a television screen. This
isn't necessarily a bad thing, but by the third time a character tells us about
something amazing they've seen, you wonder if the script could have benefited
from a few more rewrites. The movie tries to suggest unseen alien influence largely through dialogue and it's here that movie really falters. It’s hard to stay invested in a story when
characters are talking about alien craft, "Escaping the gravitational pull of
the galaxy," or a serious a discussion between two academics about the ability
of the imagination to be used as energy. Every line is delivered in tones so meaningful
and serious that it all becomes ponderous nonsense.
The acting is by no stretch terrible, but when you're playing
a scientist and you're forced to try and sell a line like, “What
the hell do we know about electricity?” I imagine you can only be so good. Dr. Mansfield has the lion's share of dumb
moments, for a character who is supposed to be a hard nosed skeptic, his ridiculous nonsense
stands-out ever worse than the others.
UFO: Target Earth earnestly wants to be a film that
expounds a deep, new age take on UFOs. Occasionally, its slow place, good
looking outdoor photography, and odd mix of synthesizer and folk music, do induce
a kind of hypnogogic trance in the viewer. More often it's just terrifically pretentious
and dull. Which is too bad, because I think with a tighter script and dialogue
that doesn't make you want to crawl out of your skin this could be an
effectively chilling film.
When I talk about loving films that fail, this kind of failure
is the hardest kind to love, a film that reaches for greatness, but stumbles
over its own self-importance.
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