A scientific project to invent matter transference accidentally makes time travel possible. The catch is that only people 20 years old
or younger can survive repeated trips back and forth. Expeditions into the
future have revealed a coming ecological disaster, and a secret plan is set in
motion to send a group of college age kids into the future with the resources to
start a new civilization. As the project is threatened with a takeover by the government,
the kids find themselves trapped in the future and forced to survive while
trying to understand the nature of the disaster that will wipe out humankind.
Idaho Transfer hits all the notes of 1970’s ecological minded
science-fiction. Firstly, it’s deeply pessimistic. All the good intentions in
the world collapse under the weight of human frailty and weakness. The film
proposes that we are going to destroy ourselves, and even with that foreknowledge,
it’s inevitable. There is an encroaching doom, often visualized by the desolate
landscape and punctuated with silence. Authority is never to be trusted, the
government, the heads of the project, and even anyone who assumes leadership
in the group of youthful survivors could become the enemy.
The cast is composed of young actors, mostly unknowns, who
did not go on to do much of anything after this film. They all bring a sense of
naturalism to their characters, which match the equally naturalistic tone and
presentation of film as a whole. Often our central character Karen (Kelly
Bohanan) comes across as immature, self-centered and unlikable. Whether this is due
to a natural presentation of her as a person, or just the result of an
inexperienced actor is hard to tell.
The film is definitely a slow burn as we watch the inevitability
of the situation slowly grind away any hope left in the survivors. There are some great
chilling moments, Karen desperately searching for help as her sister quietly
lies dying on the floor of the lab and the discovery of a vast freight train
filled with bodies being a couple of highlights. The film ends on a moment that is either supposed to be a
very dark joke or a bit of misguided social commentary. It doesn't quite work as well as
it should, but at the same time it doesn't do much damage to the film as a
whole.
Idaho Transfer appears to only exist as a video tape
sourced pan and scan presentation, and you can often find it in any number of those
100 movie DVD sets. The film damage and washed-out image may actually enhance
the overall eeriness of the story, but it would be nice to see it in its
original framing and color one day. With such a little known film, starring no
one in particular, I don’t think we’re going to see a cleaned-up Blu-ray of it, but unlike the grim eco-horror future, hope springs eternal.
Idaho Transfer is a very good, low budget movie, which delivers a creepy aesthetic without resorting to a lot of grandstanding or overly dramatic moments that would detract from the quiet horror of the apocalypse.
Idaho Transfer is a very good, low budget movie, which delivers a creepy aesthetic without resorting to a lot of grandstanding or overly dramatic moments that would detract from the quiet horror of the apocalypse.
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