1990
Glenn Takakjian
Glenn Takakjian
“Metamorphosis: The Alien Factor” is a lengthy titled
semi-sequel to the cult favorite, “The Deadly Spawn” (1983). Glenn Takakjian has crafted a loving, if you can
call a gory slime-fest, ‘loving’ ode to the dying days of latex and Karo syrup
monster movies before they gave way to mostly tedious computer generated
creations. It’s a small film that tries
to go big and falls short, but does with so much enthusiasm, that it still
manages to be a very satisfying experience.
“Metamorphosis: The Alien Factor”, probably couldn’t open in
a more stereotypical way: A security guard in what looks like the building where you drop off your cable bill, except way more evil, responds to an emergency in
a lab and promptly gets himself eaten. The next day his daughters, curious why
their dad never came home that night, head to his place of work, the TALOS Corporation.
Several flashbacks and flashbacks within flashbacks later we come to discover
that the TALOS Corporation was given a sample of alien DNA to study and one of
their own scientists became infected with it. It’s slowly turning him in a huge
monster that can shoot deadly spores and lash out tentacles to grab victims and
naturally the head of TALOS isn’t interested in letting word of the lab
accident or any survivors out of the building.
Pretty obviously cribbing from, “The Thing” (1982), “Alien”
(1979) and sprinkling in a little “Evil Dead II” (1987), Metamorphosis manages
to showcase all manner of special effects: make-up effects, puppetry, and even some
miniatures with stop-motion. It’s a film were these things come before story or
pacing. Although none of it is ever entirely convincing, you don’t mind because
it’s all made with such care and shot by a director who seems to really enjoy rubbing
the viewer’s face in all manner of slimy monsters.
The acting isn’t the best but it never gets in the way of the story. Fortunately, two of the best
characters get a bit more screen time than you think they would; the evil head
of TALOS, Dr. Viallini (Marcus Powell) who chews up every scene he is in with
an arch fish lipped delivery and an unidentifiable accent. Mitchell (Tony
Gigante) is one of Viallini’s armed thugs who proves to be both more and less
heroic than he first appears. The rest of the small cast do a serviceable enough
job and both Tara Leigh and Dianna Flaherty as the Griffen sisters do sell the
monster attacks quite well.
I ended up liking this movie a little more than, “Deadly
Spawn.” The effects are more accomplished, the story a little tighter while
retaining just the slightest mean streak for all the potential victims. Once the movie
gets through with its incessant flashbacks and settles in to people fighting monsters,
it keeps amplifying the threat and the set pieces in wonderful and unexpected
ways. I even love the way the final
scene in the film echoes the final moment of “Deadly Spawn”. A great low budget monster movie, well worth
the time to watch.
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